Game Philosophy: Your game’s first meaningful action

Learn the importance of the first unique action in your game!

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Press Start!
*Player presses X*
(Sigh) It’s people like you why we can’t have nice things…

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Today’s topic:
Your game’s first meaningful action.

POP QUIZ! When you start a game, what’s the first thing you do?

press-start

Uhm… okay, I mean AFTER the Main Menu of the game.

walking

Well… yes, usually walking is the first action you learn, but what I meant is the first MEANINGFUL thing you do in the game.

See, I’ve recently been part of a little playthrough with my friend Carlo, where each of us presented our favourite games.

I presented Ninja Gaiden Black (shocking, I know) and he presented Kingdom Hearts II.

Yeah… two TOTALLY different games, one is a game where you play a cold-blooded murderer of thousands of lives, justified by the dark story about how the victims are unholy beings that don’t deserve to live… and the other is Ninja Gaiden Black.

Huh… I guess they actually DO have a lot in common…

Sora! The most whimsical mass murderer in all of Disney!

But this is actually not the first time I’ve ever played Kingdom Hearts II, nor is it the very first time Carlo recommended it to me. I never got around to finishing it (J-RPGs were never really my thing. I mean I can appreciate them, but you won’t see me play them often), but one thing that really stuck out to me the first time I played it was when the game gave me the choice of three weapons at the game’s introduction of combat.

strugglebat1 strugglebat2 strugglebat3

Choose your Phallic Symbol wisely!

You see, after this first choice, your experience will differ, because depending on which of these weapons you choose, the game will adapt to the playstyle that you prefer, due to which skills you unlock. Choosing the most left one will make the game more offense-based, choosing the middle one will make the game more defense-based and choosing the most right one will make the game more magic-based.

Now, in the end it won’t exactly make THAT much of a difference, but the first 10 minutes of the game really matters (or if you’re playing a J-RPG, the first 2 friggin hours, what with the amount of cutscenes). It will forever colour your perspective on the game, even when you plan to play through it again on a new game.

Now, some of you may find this comparable to another game’s first choice.

(Psst, I always go with Charmander)
(Psst, I always go with Charmander)

That’s right, the first real choice in Pokemon will always be to choose a Starter Pokemon. And hopefully you will grow a strong bond with the creature, doing many things together and… oh who am I kidding, you’ll replace them the moment you get a Shiny.

sadpikachu

So… what, am I suggesting that EVERY game should have this first action that will make your game differ depending on said choice?

Well, no, I just want to put attention to how important a game’s first meaningful action is to establishing what kind of game the player is going to play.

It doesn’t HAVE to be a choice, it could just be an ability that you will use for the rest of the game, being introduced in the tutorial, or first level.

Sure, the first thing you will learn will probably be walking, then maybe jumping, then maybe some other optional action like hanging from a ledge or something.

But it’s important to THEN make the player do something that will open the player’s mind about what kind of gameplay system you really have.

Just to give some examples here:

super_mario_bros-_boxmariolevel
Your VERY first obstacle is a Goomba and a Pipe. The Goomba you’ll have to jump on to defeat, and the Pipe you can either jump on or jump over it.

Ladies and gentlemen, a Platform game! Looks pretty self-explanatory NOW, but just imagine, back in the day, you’ve generally NEVER played a platform game before. This first action introduces you to the idea of the video game character’s eternal struggle against the laws of physics!

ninjagaidenblack_xboxboxninjagaidenblacklevel
Now, this game may be known for it’s combat, but even BEFORE you even get your VERY first fight (unless you play it’s remake, Ninja Gaiden Sigma) the first action you learn is the wall run, which you use to climb up a wall and then hang on a ledge.

This first action alone is what deviates this game from a Samurai game to a Ninja game. Had it not been for all these Ninja acrobatics, Ryu could just as easily have been a sword-wielding Samurai and the whole game wouldn’t be any different. But thanks to the first meaningful action being acrobatics to get to the first fight, you are immediately introduced to the game’s theme. From now on you’ll look at the environment and say “can I use my Ninja acrobatics to traverse it?” rather than “Oh hey, that’s a wall, I guess I should go a different way.”

And thanks to that, the level design can be designed around it. Rather than giving you a town in which you simply traverse horizontally on the ground, you now traverse vertically by Ninja jumping to the roof, or wall running across buildings, or monkey-barring across washing lines.

fahrenheitfahrenheitlevel
Now, whether you love or hate this game, you’ll have to admit that it has a MUCH better beginning than it’s spiritual successor, Heavy Rain. Whereas Heavy Rain starts out with a drawn out “Oh, look how precious my life is before it gets utterly destroyed after half an hour of cutscenes!”, Fahrenheit (or Indigo Prophecy in some areas) starts out with you in the bathroom, apparently having killed someone, COMPLETELY confused and being forced to hide the body before the police see what you’ve done.

As mentioned, since your first action is to HIDE A BODY, you’re immediately introduced to the theme of the game, which is a clear-your-name cat and mouse kind of adventure where you will have to sneak about, avoiding the cops and try to figure out the mystery of why you suddenly murdered a random person in the bathroom.

You may think these all seem self-explanatory, but there are many games that fail to set up a proper tone or mindset with the player because the Game Designer is way too focused with whatever story they want to tell.

Yes, it’s natural for a story to start out with the protagonist in a peaceful state before the conflict finally gets introduced, but what some people forget is that a Game is BOTH a Narrative AND a System.

Buy a Microwave. Is the first thing in the instruction booklet a story about the inventor of Microwaves and how this one is unique over all the others? No, the first thing you learn to do is to turn the thing on (or at the very least plugging it in).

Not to say that I wouldn’t find it hilarious if that’s the case though, I mean can you imagine a “Chosen One” Microwave?

"I know Kung Food!" "Show me."
“I know Kung Food!”
“Show me.”

So yeah, think hard about how you’re gonna introduce your game system or tone or mindset with the help of your player’s first meaningful action.

It doesn’t have to be a choice, it doesn’t have to be revolutionary, it doesn’t even have to be the game’s main mechanic. It just has to be something that will more easily make your player accept the design and ideas of the game.